Every Chronotope perfume tells a story. Introducing the newest one.
Named for architectural columns carved to resemble women, Caryatis EdP is our most minimalistic formula yet—complete with all the olfactive drama Chronotope lovers expect.
perfume with a pulse
—
& our work exists to scent your stories.
Select a genre to begin:

Think of it like speed dating.
$8 a pop, or $7 each when you bundle up.
2mL Samples & sets

Enough for a fling—without the full commitment.
$45 each, or $80 for any two.
7.5mL Pen Sprays
Our bestselling perfume:
Our purpose:
Chronotope’s perfumes are
A letter from the perfumer
—

Hi there—I’m Carter, and I founded Chronotope because I wanted to wear a style of perfumery that was becoming harder to find:
Perfume made for people by perfumers.
Consider that the bestselling perfume of all time (yes, that one) was not made with the masses in mind. Instead, the job of its perfumer was to produce a fragrance that would appeal to one, single woman.
So he crafted a perfume that played to her specific tastes, flattered her unique sensibilities, and did so all while satisfying his own, personal curiosity a bit, too, by adding aldehydes—which had never been used before in a perfume—into his formula.
Once it was released for sale to the public, that perfume didn’t succeed in spite of its formula’s personalized quirks, but because of them, as they gave the fragrance uniqueness and character.
It was a perfume made for a person by a perfumer.
It’s never been easier for people to access perfumery as it is today. Yet the vast majority of perfumes any average person might find themselves desiring are not perfumes made for people by perfumers.
They are consumer commodities instead: products spat out of sprawling global systems, developed by committees across continents and assembled through long chains of natural resource and human labor extraction—including the labor of perfumers among countless others who often have far more power and ability to influence the scent of products than perfumers do. Through these coordinated global efforts, production and sales efficiency are optimized to ensure that every product appeals to the greatest amount of potential consumers—personas and amalgams—rather than real, actual people.
When something interpersonally communicative and connective is suddenly upended so that it becomes designed to appeal to anybody rather than somebody, the thing itself is defaced. It’s now a widget. All those inherent connective properties and peculiarities that exist at the person-to-person level? Out—exchanged in favor of the widget’s slick, potential sales value.
And there’s the rub. Perfumes churned out of that octopus-tentacled system are not ones made to be worn or enjoyed by people anymore. They’re made to be purchased.
They’re not meant to move us. They’re meant to move units.
Chronotope is my best attempt at an intervention and a return to form—not out of unfounded, weepy nostalgia, but because something obviously has gone all wrong in the manner that perfume is made and sold, as well as in the sorts of scents that perfume is expected to depict and the sorts of stories it is expected to tell…
Or Meet the perfumer →
Our most recently released perfume:
Our core values:

…that its perfumes are
100%
handmade
I personally ideate, formulate, blend, filter, bottle, label, and package every milliliter of perfume that leaves the studio. Occasionally, I pay friends to help out. But at no point does any automation or machinery do the work. I even mark each bottle's label with a thumbprint, signature, or hand-drawn symbol as proof.

…that Chronotope remains
100%
independent
As a business, Chronotope is entirely perfumer-owned and funded solely via product sales. This means I retain full creative control over my work and am beholden only to customers, who can rest assured that their purchase dollars empower a perfumer to take risks others either can't or won't.

…& that its scents will always be
100%
Chronotope
I taught myself perfumery slowly through trial & error over a decade, not by studying others’ formulas or being taught others’ best practices.. I’m proud to make perfumes that smell like ones that only I could or would make and accept hearing that they’re “weird” or “different” as praise. Their difference is the point.
“With Chronotope, Carter is clearly intent on pursuing what might be considered conceptual indie work, but has the skill and deftness of hand with materials to execute work that is both wearable and exciting.”